Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas
Carl Hazlewood
BlackHead Anansi Her Slow Dance, 2022
polyester, cut Hahnemuhle paper, vinyl tape, push pins, map pins, oil pastel, acrylic, metallic cord, pigment ink
paper: 51 x 34 inches
frame: 56 1/8 x 39 9/16 x 3 3/16 inches
Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas
Dorothy Hood
Untitled 1181, 1982 – 1997
collage on mat
paper: 32 x 20 inches
frame: 35 15/16 x 24 1/8 x 1 inches
Nathaniel Donnett
Pioneerprotectology, 2024
fabric, reclaimed backpack, ink, paper
sheet: 18 x 18 inches
frame: 20 7/16 x 20 7/16 x 2 3/8 inches
Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas
Nathaniel Donnett
Extraction, 2024
reclaimed backpacks, ink, duct tape
sheet: 18 x 18 inches
frame: 20 7/16 x 20 7/16 x 2 3/8 inches
Private Collection
Salle Werner Vaughn
Metamorphosis of a Rose, 2012
faux marble painted box, dung balls, sea shell, nail from a crucifix
8 1/2 x 6 x 1 11/16 inches
Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas
Dorothy Hood
Untitled, 1980s
oil and collage on canvas
40 x 30 x 3/4 inches
Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas
Robert Rauschenberg
Samarkand Stitches I, 1988
screen print and fabric collage
75 x 63 inches
Edition 8 of 59
Nari Ward
Bird, 1993 - 2014
ink, wooden dominos, polymer, graphite, pigment and steel cut tacks on wood panel
21 x 15 inches
Carl Hazlewood
BlackHead Laughter, 2016
Archival cut papers, graphite, pastel, mesh
and faux pearls
paper: 20 x 16 inches
frame: 18 7/16 x 13 11/16 x 2 1/4 inches
Dorothy Hood
Doors, 1982 – 1997
collage on mat
paper: 19 7/8 x 15 7/8 inches
frame: 24 1/8 x 20 3/16 x 1 inches
Louise Nevelson
Untitled, 1975
cardboard and wood collage on board
object: 30 x 20 inches
frame: 32 3/8 x 22 7/16 inches
Salle Werner Vaughn
A Touch of Daphne, 2020
shou sugi ban, palm bark, golden leaf
14 1/8 x 5 7/8 x 2 1/8 inches
Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas
Radcliffe Bailey
Notes from Tervuren, 2015
initialed and dated on lower right corner
gouache, collage, and ink on sheet music
paper: 12 x 9 inches
frame: 21 1/4 x 18 1/2 x 1 1/2 inches
Jodi Hays
Brother Jones, 2024
dyed cardboard, found textile, and vinyl collage on aluminum Dibond (ACM) on wood stretcher
24 x 18 inches
Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas
Robert Motherwell
The Red and Black No. 3, 1987 – 1988
oil-based etching ink, pasted papers, and aquatint on paper
paper: 31 1/2 x 25 inches
frame: 34 5/8 x 28 1/8 x 1 5/8 inches
Delita Martin
Garden by Moonlight, 2024
signed recto, lower right
relief printing, charcoal, acrylic, printed papers, hand stitching
paper: 60 x 40 inches
frame: 65 11/16 x 45 3/16 x 2 1/4 inches
Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas
Jodi Hays
Remaindered, 2024
dyed cardboard collage on aluminum Dibond (ACM) on wood panel
24 x 18 inches
Salle Werner Vaughn
Medusa, 2012
hand mirror painted in oil mounted on rock
13 1/8 x 6 5/8 x 2 1/2 inches