Bernar Venet

1941
Born on April 20 in Château-Arnoux, France.

1958
Studies for one year at the Villa Thiole, the municipal art school of the city of Nice.

1959
Employed as a stage designer for the Nice City Opera.

1964
Participates in the Salon comparaisons at the Museum of Modern Art, Paris.

1966
Creates a ballet, Graduation, to be danced on a vertical plane. Starts making new work based on the use of mathematical diagrams.

1971
Bernar Venet decides, for theoretical reasons, to cease his artistic activities.

1974
Teaches "Art and Art Theory" at the Sorbonne, Paris. A representative for France at the XIIIe São Paulo Biennale, Brazil.

1976
Starts creating work again.

1977
Exhibits at Documenta VI, Kassel, Germany.

1978
Participates in the exhibition From Art to Nature. at the Venice Biennale, Italy.

1979
Awarded a grant from the National Endowment of the Arts, Washington, D.C.

1984
Starts creating his sculptures at Atelier Marioni, a foundry in the Vosges region of France.

1988
Jean-Louis Martinoty asks Bernar Venet to stage his ballet Graduation (conceived in 1966) at the Paris Opéra. The artist is the author of the music, choreography, set designs and costumes. Received the 1988 Design Award for his sculpture in front of the World Trade Center, Norfolk, Virginia.

1989
Awarded the Grand Prix des Arts de la Ville de Paris.

1991
Creates several musical compositions including Sound and Resonance at the Studio Miraval, Var, France. Release of two compact discs on the Circé-Paris label, Gravier/Goudron, 1963, and Acier Roulé E 24-2, 1990.

1993
Invited to participate in the artists' film festival in Montreal, Canada for his film Rolled Steel XC-10.

1994
Mr. Jacques Chirac, then the Mayor of Paris, invites Venet to present twelve sculptures from his Indeterminate Line series on the Champ de Mars. This exhibition kicks off a world tour of Venet's sculptures.

1996
Awarded the honor of Commandeur dans l'ordre des Arts et Lettres by the Minister of Culture in France. Presentation of the film Lines, directed by Thierry Spitzer, which covers the artist's complete oeuvre.

1997
Moves to a studio in Chelsea in New York City. Begins a news series of sculpture entitled Arcs x 4 and Arcs x 5. Becomes a Member of the European Academy of Sciences and Arts, based in Salzburg, Austria.

1998
Travels to China. Invited by the Mayor of Shanghai to participate in the Shanghai International Sculpture Symposium.

1999
Installation of a public sculpture in the city of Cologne, Germany in honor of the G-8 Summit.
Releases the third version of the film Tarmacadam (from 1963) with Arkadin Production.
Exhibits at the Musèe d'Art moderne et contemporain (MAMCO) in Geneva.
Publishes a compilation of his poetry, Apoétiques 1967-1998.

2000
New series of wall paintings, Major Equations, exhibited at the Museum of Modern Art in Rio de Janeiro, Brasília and Saõ Paulo, and at the Centre d'art contemporain Georges Pompidou in Cajarc, as well as at MAMCO in Geneva.
A year of important publications: Bernar Venet: 1961-1970, a monograph about the young artist written by Robert C. Morgan; Sursaturation an original work about reflections on the possibilities of literature; Bernar Venet: Sculptures and Reliefs, written by Arnaud Pierre; La Conversion du régard a compilation of texts and interviews from 1975-2000; Global Diagonals, a catalogue concerning a humanistic, artistic and technological project with straight lines (each 300 feet long) virtually connecting the five continents.

2001
Assouline publishes Furniture, a book on all of his designs, in conjunction with exhibitions of his furniture at the Galerie Rabouan Moussion and at SM'ART (Salon du mobilier et de l'objet design) at the Caroussel du Louvre, both in Paris.
Inauguration of the Chapelle Saint Jean in Chateau-Arnoux, France. The stained glass windows and all the furniture are designed by Bernar Venet.
Poetry reading at White Box, New York, with Robert Morgan.
Galerie Jérôme de Noirmont in Paris exhibits new series of Equation paintings.

2002
A performance evening incorporating the artist's poetry, film and music at the Centre Georges Pompidou, Paris, France.
Exhibits Indeterminate Line sculptures at the Galerie Academia in Salzburg, Austria, and at Robert Miller Gallery in New York.
Monograph by Thomas McEvilley on the artist's complete body of work published in French and German.
Exhibits Equation and new Saturation paintings at Anthony Grant, Inc., in New York.
Traveling sculpture show arrives in the Unites States, and twelve large sculptures are exhibited at The Fields at Art Omi International Sculpture Park in New York state for the summer. The show moves to the Atlantic Center for the Arts in Florida in November.

2003
Seventeen solo exhibitions this year, including a retrospective of his early work from 1961-1963 at the Hotel des Arts, Toulon, France, and Autoportrait at the Musée d'Art moderne et d'Art contemporain (MAMAC) in Nice, France.
Exhibits Saturation paintings in France, California and at the Miami-Basel Art Fair.
Publication of the English version of the monograph by Thomas McEvilley, as well as the first book on the new paintings, this by Donald Kuspit.
Installs sculptures throughout Europe: at Schloss Herberstein, Austria; on the Promenade des Anglais, Nice, France; throughout the city of Luxembourg; at the Galerie Christian Scheffel and in the city of Bad Homburg, Germany; and in the Jardin des Tuileries, Paris.

2004
Three simultaneous solo shows in New York City: at the Robert Miller Gallery and at Jim Kempner Fine Art in Chelsea, as well as three large-scale Indeterminate Line pieces on the Park Avenue Malls.
Publication of Art: A Matter of Context, a book of the artist's writings and interviews spanning 1975-2003.
Installs pieces from his traveling show in: Liège, Belgium; at Kennedy Park, Miami, Florida; and, in December, in downtown Denver.
A year of important commissions: for Bosch GmbH in Stuttgart, Germany; for AGF, Paris, France; and for the Colorado Convention Center in Denver, Colorado.
Retrospective of the artist's Arcs exhibited at the Musée Sainte-Croix of Poitiers, France.

2005
On January 1, the artist is named Chevalier de la Légion d'Honneur, France's highest decoration.
Sculptures continue to tour Europe and North America, with exhibitions in Cergy-Pontoise, France, in Knokke-Heist, Belgium, and in downtown Chicago.
Books published commemorating the works in his Arc series: L'hypothèse de l'Arc, and his performance work: Bernar Venet: Performance 1961-2005.

2006
Receives the Robert Jacobsen prize for sculpture from the Würth Stiftung in Germany. Completion and inauguration of a new gallery space in Le Muy for large sculpture installations. There he installs a sculpture entitled, “Straight Lines / Disorder / Steel XC10 / 140 Bars / 100 tons”. Participates in La Force de l’art, Grand Palais, Paris. Exhibits of a group of large sculptures in Forest Park, St. Louis. An installation of Four monumental Arcs is acquired by the city of Liège. He is choosen by the jury at the Ministry of Culture in Paris to paint the ceiling of the Galerie du Palais Cambon of the Cour des Comptes in Paris in celebration of the establishment’s bicentennial in 2007.

2007
Inauguration of the Saturation on the ceiling of the Cour des Comptes in Paris by President Jacques Chirac. A retrospective of his work 1961-2007 at the National Museum of Contemporary Art in Seoul opens in April. The cities of Bordeaux and Metz will each play host to exhibitions of large sculptures in the spring and summer. The installation of 2 Arcs of 111 and 86, measuring 25 meters tall, commissioned for the Toulouse Metro, will occur in September.

2008
Participates six solo shows at prominent galleries worldwide such as Eaton Fine Art in West Palm Beach, Florida, Galerie von Bartha in Switzerland, Forsblom Galerie in Finland and Scott White Contemporary in San Diego, California. For the first time, Sotheby's presents an exhibition of a single artist - Bernar Venet – on the grounds of the Isleworth Country Club, near Orlando, Florida. From January through April 2008, approximately twenty-five monumental sculptures showcase the artist's work of the last two decades, highlighting some of his most distinctive themes.

2009
Venet received a personal invitation from the Board of Directors of the Venice Biennale to exhibit at the 53rd International Art Exhibition, from June through November of 2009.